Embroideries, Appliqués and Pleats as Carriers of Cultural Meaning

The Ethnographic Museum at the University of Zurich is showing textiles made by Miao societies in Southwest China for the first time. The new exhibition Hidden Complexities showcases the complex textile skills and knowledge of Miao women based on 400 items of clothing, fabric and tools. And it reveals that there is far more to the stunning colors, patterns and materials than meets the eye.

Faltenröcke
Three pleated skirts made of indigo-dyed cotton in plain weave, decorated with embroidery and appliqués. The pleated skirt appears in countless variations, but always remains recognisable in its basic form. (Image: Kathrin Leuenberger 2021 © VMZ UZH).

The Hidden Complexities exhibition doesn’t open with fanciful colorful embroidery. Instead, visitors enter a kind of box that is entirely clad with indigo-dyed fabrics, the basic material which the Miao societies in Southwest China use to make their clothing. This opening to the exhibition was designed by Karola Kauffmann, who is a professional hand weaver, textile artist and former owner of the exhibited collection. “The various surface textures and the subtle shades of blue, violet and copper are meant to heighten the senses and to allow visitors to take a look at what’s behind the exhibits’ captivating exterior,” explains Kauffmann.

Overture: Extensive textile culture of the Miao

The diverse clothing culture and textile skills of the Miao societies are the focus of the first exhibition space. Visitors learn about various embroidery, pleating and appliqué techniques and can try their hand at some of them for themselves. Over the length of the exhibition, this will result in a collaborative new work.

Different exhibits highlight how the Miao craft has changed with time. For example, the Miao’s sewing utensils used to be kept in needle cases featuring elaborately folded, colorful compartments. Today, there are also sewing kits that contain custom-length threads and pieces of fabric along with step-by-step instructions. This side by side of old and new is a distinctive feature of contemporary Miao textile culture, and it is brought to life in the exhibition through a market scene typical of Guizhou province. The items displayed here cover the whole range from specialist needles to finished garments, and from machine-embroidered artificial silk to hand-sewn silk appliqués on cotton.

Band
Detail of a decorative fabric piece sewn onto jackets, for example at the collar or at the front, along the opening. (Image: Kathrin Leuenberger 2021 © VMZ UZH)

Outside perception: Clothing style as a common feature?

The passage between the first and second exhibition space is devoted to the outside perception of the Miao societies over time from a textile perspective. The term Miao has only been used since 1949 for distinct ethnic minority groups who today live mainly in Guizhou province. In addition to linguistic similarities, these people also share the same elaborate clothing culture. For centuries the region’s textile diversity has attracted the attention of travelers, writers and imperial magistrates alike. The exhibition presents three examples from different eras: Ancient illustrations for the emperor, Socialist New Year's posters from the 1950s, and contemporary tourist photographs of cultural events.

Self-representation: Proficiency with needle and thread

The second part of the exhibition focuses on the multilayered textile skills of the Miao women. Based on a selection of children’s clothes, the exhibition demonstrates the full range of weaving, stitching, appliqué and dyeing techniques, and the diligence in picking fabrics and motifs. The children’s garments are arranged opposite 16 variations of the characteristic Miao indigo-dyed pleated skirts, in various stages of completion. The pleated skirts, which depending on the number of pleats require considerable amounts of fabric, are the clothing item that links all Miao women

Between these two key components of Miao clothing culture, visitors can explore the manufacturing process, dyeing techniques, style and design elements, and dive into the vast expertise and artisanship that lie beneath the dazzling arrangements of color and patterns. “Each exhibit is unique and carries meaning,” explains Martina Wernsdörfer, Chinese studies scholar and exhibition curator. “Wealth, social status and region of origin as well as individual taste and creativity are all expressed through the clothes.” The exhibition also covers current technological and social change processes and invites visitors to reflect on their diversity.

 

Kinder-Latzschürzen
Two children's aprons with attached collars. The sophistication of the filigree embroidered motifs is revealed when one thinks about how the aprons are worn. (Image: Kathrin Leuenberger 2021 © VMZ UZH)

Hidden Complexities – Unfolding Miao Women’s Textile Skills

Exhibition in the Ethnographic Museum at the University of Zurich
Pelikanstrasse 40, 8001 Zurich
12 December 2021 to 15 January 2023
Tue, Wed, Fri 10am–5pm, Thu 10am–7pm, Sat 2pm–5pm, Sun 11am–5pm

The exhibition opening will take place at 12:00 noon on 12 December 2021. Participation is possible on site and online; registration is required in both cases.

www.musethno.uzh.ch/en/Miao